Looking into Druidism
Concepts of Druidism
The druids believe in Balance. That balance could
be in opposition or in harmony. The druids believe that everything has a purpose and reason. They seek Knowledge in
every aspect of creation whether it be universal, earthbound, or in another realm. They believe in Justice but also
understand that one can not be held accountable for that which he does not know. They believe in basic Truth, but understand
that truth is relative and one mans truth is not always the same as anothers. They believe in Wisdom, to gain wisdom
one must experience and gain knowledge. They believe Peace is a result of all these. They believe Majick can
be utilized by Understanding all of those.
The druids used oral teachings as they believed it would
imbed the information into the mind, allowing it to be accessed at Will. Poetry, Music, and Triads
were often used as it would combine the powers of the mind making the information more memorable to the user. Is it not
easier to remember a song than what your 6th grade history teacher told you about the 8th president? The oral tradition also
prevented others from obtaining information they should not have.
The druids believe in an Eternal life, an Unending
cycle. It was for this reason they did not fear dying. Druidic doctrine of the immortality of the soul was so strong that
Celtic warriors would enter battle and fight without fear of death, a phenomenon that puzzled not only Roman historians but
also Roman millitary strategists. It is believed that the body dies, yet the soul continues in the otherworld till it is reborn
in a new body. Notice how, under normal circumstances, one reaches old age with wrinkles, typically no teeth, and often incontinent,
with none or little hair. Supposedly when he dies he sees a white light. When we are born we see a white light as we procede
through the birth canal, and we are born with no teeth, little to no hair, in a sense incontinent and with wrinkles.
The Druids honored, respected
and called upon Deities. These deities are often refered to as gods or goddesses, ancients, nature spirits, ancestors
and a few other terms, but to the druids, they are ones that have obtained unsurpassable knowledge and wisdom. The tribe of
Danu or "Tuatha de Danaan" are often called the faery folk. It is believed that they are the earth deities which remain in
this realm to oversee humankind. They are the guardians and protectors of earth and the possessors of all majick.
Morally and ethically,
the druids believe that each indiviual is Responsible for their own actions. For each action there is a reaction, which
could be a consequence or a reward. The individual seeks to benefit the entire group by using their given talents to the best
of their ability. The word of the Druid was to be respected and not argued with. However, one was to hold their own truths
and beliefs with a steadfast heart and hand. Everything was designed to be questioned including authority when it didnt seem
logical or reasonable. They lived by the creed of justice, honour, and fair play, each person is responsible for their own
conduct, and not determined by fate or the will of gods.
Basically.....
Techno/Hereditary Druidism
by Cerridwen DragonOak Connelly Prif Gofalwres (High Caretaker) TechnoPagans Unlimited (formerly known as Tuatha-Druidicae
of Ireland and Wales)
There are at least five Druid traditions and organisations
in the British Isles alone. All but one are of nineteenth/twentieth century Neo-Pagan Revival origins, the exception being
TechnoPagans Unlimited.
The most well known group is the Druid organisation which
organises the Eisteddfod Festivals in Wales. This group is not specifically Pagan, but is a Welsh cultural organisation dedicated
to preserving music, art, poetry and literature in the Welsh language through its lavish summer festivals, a very worthy enterprise.
Most of the other Druid organisations are based in England
and feature gatherings, summer campouts and other activities to their membership. Applicants must complete courses to qualify
for membership. A web search will produce websites for all relevant organisations in the UK.
TechnoPagans Unlimited (Tuatha-Druidicae) is the only Druid
organisation following a continuous hereditary line from its origins in pre-Celtic Ireland. In the "Patrick era", many Tuath-Druid
Clanns emigrated to West Wales (the Preseli area of Pembrokeshire and Ceredigion/Cardiganshire) and spread the tradition to
the British mainland, using the Welsh language instead of Gaeilige, the Irish language.
Tuatha-Druids are atheists. We believe in the Líon (pronounced
lin in Irish) or Gwe (pronounced gway in Welsh), the sum total of Energy within the Multiverse. We believe that this energy
can be tapped at will to program or re-program the course of events in one's life or in the world-at-large. Science and the
applications of quantum mechanics have always been the core belief and practice of the Tuath-Druids, although cloaked in metaphor
until the 20th century.
We believe the Universe (Gwe) to be sentient but that worshipping
it as a deity only complicates the process of programming, moving us a step further away from the process itself. We are all
an intrinsic part of the Gwe. Nothing is external to it.
The Ritual performed at Pagan Pride Day UK at the Autumnal
Equinox is a traditional TechnoPagan Ritual. Our Rituals are sung in Irish or Welsh, since music and sound are key elements
in achieving the state of consciousness required for programming. Formal membership is not required to participate in our
public Rituals, but training with local Groves (in person or by email) is open to those interested in becoming Caretakers
in existing Groves, or in starting a Grove in any location on the planet.
To find out more about this Druid tradition,
see <http://www.technopagans.co.uk>.
ROMANTIC DRUIDISM
Romantic Druidism developed in the early eighteenth century by fraternal-order
occult groups such as Freemasons, ceremonial magicians, the Golden Dawn, and other similar groups, often using Cabbalistic
ritual tools like the Enochian Key (the book of Enoch). It is characterized by lack of historical facts yet assert that theirs
is the historically authentic Druidism. They call upon the four elements, archangels, dragons, and non-celtic gods (usually
greek, egyptian or biblical) in ritual methods that resemble wizard alchemy and conjuring. They refer to "shielding" as if
nature's powers are malevolent and threatening, and it is their duty to subdue them. Some Romantic Druidism features:
The Barddas: A two-volume book composed in the sixteenth century by Edward Williams, a stonemason from London, who used
the bardic pen-name of Iolo Morganwyg. This book describes a set of laws and philosophy about the universe that the author
claims are what the Iron-Age Welsh believed. The book states the universe is organised into a trio of concentric circles:
Abred in the center, being the source of organic life; Gwynfyd, or the realm where we are living now; and Ceugant the outer
realm, inhabited only by God but is accessible to humans through enlightenment, or a merging with the divine soul. The book
uses triads however it correlates more closely with the neo-Platonic Christianity popular among protestant clergymen at the
time, and has no basis in celtic myth.
The Charm of Making: The druids never practiced a charm of making and is probably a creation based on hinduism and Indra. The charm
supposedly calls forth beings such as dragons, with a chant.
The Book of Pferyllt: A legendary book which contains the magic secrets posessed by Welsh and British Druids. However, the only copies
siad to exist. In the Welsh legend called the Ystoria Taliesin, it is said that Cerridwen consulted "llyfreu Fferyllt." In
modern Welsh the word Fferyllt means "alchemist" or "sorcerer." Considering that the Druids transmitted their mysteries through
poetry and the spoken word, it is highly unlikely the book exists.
The Thirteen Month Year: The Celtic calendar is believed to be thirteen months long, with each month corresponding to one of the lines
in the poem "Song of Amergin", and with one of the trees in the Ogham alphabet. There are more than 13 lines in the poem and
more than 13 trees in Ogham, and the earliest reference to the 13-Month Year is in the 1961 edition of Robert Graves' book
called "The White Goddess." Graves apparently invented it himself as his calendar begins at Midwinter, and all mythologies
indicate the Celtic New Year begins at Samhain
OIU:
These letters are not in the celtic alphabet (ogham) The letters supposedly form the Name of God, which he pronounced when
he became conscious of Himself, felt fear because he was alone, and created the universe. Furthermore this would indicate
a monotheist belief which the druids did not have.
Monotheism:
This idea formed with christian fascism, probably as a way to get around forced christian religion. This was also the time
when male and female seperation occured resulting in priests and nuns. It is well known that the druids had many deities which
would have been considered gods and goddesses.
ARTHURIAN DRUIDISM
Arthurian druidism was a time of transition from druidism to christianity.
Christianity was well placed and in affect while druidism was all but outlawed. Merlin represented the old beliefs while his
wife represented the new. Arthur was torn between the two. Arthur was supposedly chosen by GOD to be king, however it was
more likely druid knowledge led him to be. Many of the legends rely on past myths such as the old myth of the Irish Druid
Uath Mac Immoman who challenged a warrior to a mutual beheading. This is similar to The Green Knight (Cernunnos The Green
Man) challenged Sir Gawain. It is safe to say all those "wise hermits", that the Knights run into, were Druids. It is possible
that Excaliber was a sword made of Iron. It was stronger than the bronze ones which other cultures used, including the dannans
who he defeated with Excaliber. It is possible, with druid knowledge, that excaliber was layered with nickle iron from meterorites
which is a metal that would never bend, scratch, break, or rust. A greater knowledge is often seen as majickal. The Grail
is a symbol of divinity, of feminine divinity in particular, and is said to be the cup of Christ.
CELTIC CHRISTIANITY
Much anger and resentment has occured with celtic christianity,
as well as much debate. The Gauls and Germani were among the first to accept christianity. Some say christianity was accepted
without confrontation, however there is verifiable proof that they highly objected. If a child was not baptized into the church
within 3 days the parents were fined an additional tax. Women were often raped to weed out the "bad " seed. People were killed
or taken from their familes and by means of manipulation people were forced into a belief they did not want. The greatest
form of manipulation occured with taxing people out of house and home if they did not convert. Homeless, hungry, having kids,
and no where to go the church offers assitance if they listen to the christian speal. Help is offered only through conversion.
Children when preached a belief will believe that belief, similar to brain washing. This is still the practice in modern times
for conversion. It is by incredible will and stregth that the druid nations actually turned much of christian belief into
pagan beliefs. They continued with their traditions dispite the church, and the bards continued to spin their tales. The church
tried to change the stories and tried to incorporate the traditions by changing the meanings, but in the end they did not
fully succeed.
The first well-recorded christian mission to Ireland was by Saint
Padraig (patrick), who was living in Britain (or Wales) and taken as a slave to Ireland during a raid. He made an escape to
France, where he studied christianity until he became a bishop. Then in 432 he returned to Ireland to preach and convert the
"barbarians." The complete conversion of Ireland did not happen within his lifetime, but the basis of christianity was established
by him, as he was responsible for driving the druids out of Ireland. Later nearing his death he wrote a "sort of" apology
for doing this.
Celtic Christianity is an union of Druidism and Christianity nominally
founded by Columba and Columcille and centered on the Scottish island of Iona, in the southern Hebrides. Saint Columba is
said to have first spoken the famous prayer "Mo Drui, Mac De", My Druid, Son of God, stemming the idea of druids being monotheists,
and convincing the druidic people that Jesus and God were druids. Early christian sanctuaries were built in circular shapes
which is in keeping with the Druidic concepts. The druids that did not go underground or result in death became Bards which
kept many of the old mythologies alive in the culture. The Carmina Gadelica, a book of celtic-christian prayers collected
by Alexander Carmichael, shows the continued connection with nature, instilled by the druids. The Book of Kells, is another
contribution to christianity. Its symbol is the Celtic Cross. The Celtic church was less invasive than the Roman church, being
more monastic than heirarchal. Some of these monasteries were headed by women, including Abbes Hilda of Whitby which shows
a druidic concept. However she also hosted the Council of Whitby, where it was decided to join with the Roman church and the
rest of Europe.
Modern Celtic Christians would refer to those who have both pagan
and christian beliefs
WHAT GREYWOLF SAYS CONCERING DRUIDISM
Little History of Druidry
by Greywolf
Pre-Christian Druids did not commit their teachings to writing.
Not that they didn't know how to write, but, according to Julius Caesar, they preferred not to for reasons of secrecy and
for the better cultivation of memory. Merlin, in Bernard Cornwell's Arthurian novel, The Winter King, suggests another
reason, saying that
"Once you write something down it becomes fixed. It becomes dogma.
People can argue about it, they become authoritative, they refer to the texts, they produce new manuscripts, they argue more
and soon they're putting each other to death. If you never write anything down then no one knows exactly what you said so
you can always change it."
And as Emma Restall Orr put it,
"The very action of wrapping up in a web of words the essence of
the faith and committing those ideas to the conclusiveness of the page would bind it within a structure that would surely
suffocate it."
Clearly, this makes writing about Druidry a project fraught with
difficulties. To attempt a history of Druidry is only a little less foolish than trying to capture its philosophy and teachings
in words. Why? Because its history shifts and changes. Druidry is not confined to one time, one people or one understanding;
each successive generation reformulates it, shaping it in their own image, or in their own image of the past. Even those few
apparently solid facts that can be established seem to swirl and change before the eyes, open to several interpretations.
With these warnings given, we begin our exploration.
The origins of Druidry are lost in remote antiquity, but its history,
so far as we can trace it, has been one of continuous evolution; a process which continues to the present day. Unlike Buddhism,
Christianity, and Islam, Druidry had no human founder, nor does it have a fixed canon of scriptures. Perhaps its nearest equivalent
is found in Hinduism, where the Brahamana caste have much the same socio-religious role as the Druids in pagan European society.
Like the Brahmins, the Druids of old were teachers, priests and priestesses, doctors, historians, prophets, guardians of lore
and givers of law. Brahmin and Druid were both noted for their devotion to the concept of a transcendent and all-encompassing
Truth. The word Druid may indeed derive from an Indo-European root 'dreo-vid,' meaning 'one who knows the truth.' In practice
it was probably understood to mean something like 'wise one,' or 'philosopher-priest.' Some Druids did (and still do) perform
priestly functions; officiating in public and private worship, initiating and instructing, healing and blessing.
As far as we know, the religion practised among the Celtic peoples
of pre-Roman Europe had no name, just as adherents of what we call Hinduism refer to their faith simply as 'the eternal religion.'
Again like Hinduism, Celtic religion seems to have consisted of innumerable localised cults based around local or tribal deities.
It seems likely that the rites of these local cults were overseen by members of the Druid caste, just as those of Hinduism
are overseen by Brahmins. Their function was to ensure that rites were performed correctly, and their presence in itself lent
spiritual authority to the proceedings, for they were professional 'walkers between the worlds;' mediators between Gods and
people.
Druidry 5000 - 800 BCE
In the popular imagination, links have always been made between
Druids and megalithic monuments such as the Avebury henge in Wiltshire and the Rollright Stones in Oxfordshire. This was also
the accepted academic orthodoxy until the 1930's, when it was decided that Celtic civilisation did not reach Britain until
500 BCE, that Druids were a purely Celtic priesthood, and that they could not, therefore, have had any connection with megalithic
structures erected circa 3000 BCE. Recent developments in linguistic archaeology have, however, re-opened the debate. Professor
Colin Renfrew, in his book Archaeology and Language, (Jonathan Cape, 1987), suggests that Indo-European language and
culture had already spread across Europe and into Britain by 4000 BCE, and that the cultural and linguistic group we call
Celtic developed in situ out of this earlier base, rather than being the result of external influences. This `steady state'
theory of cultural evolution was dramatically borne out by the recent discovery of a teacher living in the West of England
who is genetically descended from a man whose remains were found in a cave in Cheddar Gorge, and who had lived in the same
area 9000 years ago. It seems that Celtic Druids may, after all, have been the linear descendants of the megalithic builders
of late Neolithic and Bronze Age Europe.
Our knowledge of the ritual practices and religious beliefs of these
early periods derives from our interpretation of the physical evidence they left behind. These include complex passage graves
such as New Grange in Ireland, where a narrow window above the entrance admits a shaft of light at sunrise on the winter solstice,
illuminating an inner chamber deep within its covering mound, massive stone circles such as those at Avebury in Wiltshire,
with its complex lunar and solar alignments, and the nearby Silbury Hill, an enigmatic structure which is the largest man-made
prehistoric mound in Europe. Associated with monuments of this period are beautifully worked gold ornaments, decorated stones,
and fragments of pottery, tools of antler and bone, ritual implements of bronze, and beads of amber and jet.
The earliest megaliths were the great tomb-shrines, of which New
Grange is a highly developed example. They were built from about 4500 BCE until about 2500 BCE. They are, in effect, artificial
caves, believed by many to be symbolic representations of the womb of an Earth Mother Goddess. Many of them are aligned on
the rising or setting of the sun or moon at significant times of the year. The light entering the tomb may represet rebirth.
Bodies were exposed or buried for some time until the flesh had gone from the bones before they were deposited in the tomb-shrines.
Usually, only the skulls and long bones were put into the tomb chambers. These seem to have been brought out periodically
and used in rituals around the entrances, which often seem to have involved fires and ritual feasting. The fact that most
tomb-shrines are located near water indicates that ritual bathing may also have formed part of the rites. Other practices
included making offerings in deep ritual shafts and the ritual use of cattle skulls.
From about 2500 BCE onwards, the tomb-shrines fell into disuse,
often being deliberately blocked to prevent re-use. The focus of ritual activity shifted to open air circles of wooden posts
or standing stones, sometimes surrounded by a bank and ditch, as at Avebury. The existence of huge circles such as Avebury,
linked by pilgrim routes spanning much of Britain, suggests a growing interdependence of peoples, coming together in great
joint celebrations at particular times of the year. There were, however, large numbers of small circles scattered around the
country, suggesting that local, tribal or familial religious rites were also carried out. Like the tomb-shrines that preceded
them, the circles show wide variations in design and alignment. Celebrations at some circles included fires and ritual feasting.
Offerings in ritual pits also continued, as did the ritual use of cattle-skulls. Many circles include human and animal burials,
seemingly placed to provide spirit guardians of the place.
Druidry 800 - 100 BCE
The first recognisably Celtic culture in terms of its physical remains
is the so-called Hallstatt culture, named after the Austrian site where it was first identified. The Hallstatt Iron Age began
around 800 BCE, and its remains are found in a relatively small area of central Europe. The great expansion of Celtic artefacts
occurred around 500 BCE during the La Tene period, named after a site in Switzerland. This period is typified by highly stylised
decorative metalwork, the ultimate example of which is the famous Gundestrup cauldron, found in a Danish bog, with its silvered
panels depicting cult scenes, animals, and Celtic deities.
The first historical record of Druidry comes from classical Greek
and Roman writers of the 3rd century BCE onward, who noted the existence of Druids among a people called the Keltoi who inhabited
central and southern Europe a few centuries before our Common Era (BCE). The Keltoi, or Celts, were also noted for, among
other things, their horsemanship, their intricate metalwork, their use of light-weight war chariots, the quality of their
woollen cloaks, and the fact that they wore trousers, an obvious sign of barbarity to their toga-wearing neighbours. From
writers such as Pliny the Elder, Strabo, Poseidonius, and Julius Caesar we learn that the Druids of their time believed in
the transmigration of souls, that they traced their descent from a common ancestor, and that their social status equalled
that of the highest nobility. They tell us that Druids were a respected class or caste among the Celts, forming a kind of
intellectual and spiritual elite within Celtic society not unlike the Brahmin caste in India. They also refer to the various
sub-divisions within the Druid caste, notably Bards, who were poets, singers, musicians, genealogists and historians; Vates
or Ovates, who were philosophers and diviners; and Druids themselves, who were priests, spiritual leaders, legal authorities
and 'natural philosophers.'
It seem likely that there were many different Druidries in ancient
Europe, just as there are today. The diversity of belief and practice among pagan Celtic peoples is demonstrated by wide variations
in the type and structure of ritual sites, and in the many different deities worshipped. However, the fact that a few Gods
and Goddesses seem to have been almost pan-Celtic suggests the possibility that Druids may have had a common pantheon of their
own, since Druids were the only social group who were able to move freely across tribal boundaries. Examples of such pan-Celtic
deities include Lugos (Irish 'Lugh,' Welsh 'Lleu'), youthful God of the Sun, Light and Fire; Nodens (Ir. 'Nuada,' W. 'Nudd'),
Otherworld Lord and Warrior God; Belenos (Ir. 'Balor,' W. 'Beli'), Solar Grandfather God; and Don (Ir. 'Danu'), primeval River
Goddess and Mother of the Gods. We know from classical writers that Druids from wide areas met together regularly at central
locations called nemetonae, 'sanctuaries' or 'sacred groves.' We also know that students from other parts of Europe
travelled to Britain to receive instruction in Druidry.
Common ritual practices of this period include animal sacrifice,
most often of domestic animals such as pigs and cattle, and, perhaps, occasional human sacrifice; the placing of deliberately
broken objects in water as offerings to the Gods, particularly in eastward-flowing streams and rivers; and the placing of
similarly broken objects in deep wells or shafts, presumably as offerings to Underworld deities. Classical writers also refer
to divination by studying the entrails of sacrificial victims or the flight or speech of oracular birds. The 1st century Roman
author, Pliny the Elder, gives a famous account of white-clad Druids climbing oak trees to cut sacred mistletoe from them
using gold sickles. The mistletoe was caught by attendants waiting below with a white cloth. Two white bulls were sacrificed
during this rite.
Druidry 100 BCE- 500 CE
After the Roman invasions, first of Gaul and then of Britain, the
political influence of Druidry was curtailed, but it certainly did not cease to exist, particularly in Scotland and Ireland,
which remained beyond the reach of the legions. In the rest of Britain, many Romano-British temples were built on the sites
of earlier Celtic shrines, and Celtic deities were often worshipped in these temples side-by-side with the Gods of Rome.
The coming of Christianity, which first reached Britain about 200
CE, did not put an end to Druidry either. Many pagan Romano-British temples continued in use for a further three centuries.
When Christianity did eventually achieve dominance, many pagan sites and popular rituals were adapted to Christian usage,
and the old Druidic colleges emerged as new Bardic colleges. Some may even have became Christian monasteries. Even after the
priestly functions of the old Druid caste had been entirely taken over by Christian priests, much of the old reverence for
the pagan priesthood transferred to the Bardic order. Bardic initiates continued to compose Goddess-inspired poetry and to
preserve the sacred lore of their pagan predecessors, while Christian monks of the period began to record pagan myths and
legends in writing.
Druidry 500 CE - 1600 CE
In the first half of this period Celtic scholars, particularly those
of Ireland, were famed throughout Europe for the depth and diversity of their learning. They translated the great works of
classical antiquity and composed treatises on subjects ranging from astronomy to zoology. Their love of learning seems to
have been a direct inheritance from their pagan Druid predecessors. The same period also saw a great literary flowering in
the bardic colleges, producing the poetry of such legendary figures as Taliesin, Myrddin, whose story Geoffrey of Monmouth
later wove into his romantic figure of Merlin, magician to King Arthur, and Aneurin, whose great work, The Gododdin,
is possibly the earliest surviving British poem.
The great collection of Welsh myths and legends known as The
Mabinogion also achieved written form during this period, probably in the 9th century, as did the great Irish epics such
as Lebor Gabala Erinn, 'The Book of the Taking of Ireland,' and Tain bo Cuailgne, 'The Cattle Raid of Cooley.'
These and other texts of the period contain a good deal of information about Druids and Druidry, being written at a time when
Druids not only still esisted but retained at least some of their ancient influence.
The kings of Cashel in Southern Ireland held a great tribal assembly
every seven years. As late as the 10th century, they were still receiving a 'gift' of a Druid from one of their sub-clans
at these assemblies. In Wales as late as the 12th century bards wrote of Druids as still extant.
Druidry 1600 CE - 1900 CE
Under the patronage of the old Celtic noble families, many of whom
traced their ancestry back to pagan Celtic deities, Bardic colleges continued to flourish until the 17th century in Ireland,
Wales and Scotland. The Flight of the Earls in Ireland left the bardic colleges there bereft of their patronage and they quickly
closed. The bardic tradition, however, continued in the hedge schools, among wanderings minstrels and tinkers and through
the support of less noble patrons. In Wales, he accession to the English throne of the Welsh Tudor dynasty began the decline
of the colleges. Many of the aristocratic patrons of the bards simply moved to London, the centre of power, either taking
their bards with them or leaving them to fend for themselves. Some colleges seem to have found new patronage from monastic
foundations. Other bards survived as did their Irish counterparts, either by working for less exalted patrons or by teaching
in the hedgerows and performing in taverns. In Scotland, the clan system that had supported the bardic colleges collapsed
under the suppression that followed a series of rebellions by the Scots against the Act of Union of 1707.
As well as preserving poetry and prose, legends, histories and genealogies,
the bardic colleges also retained some curious magical pagan practices. In Ireland, bards were taught secret languages and
cyphers that used the Ogham alphabet, a script invented in Ireland in the 2nd or 3rd century. Also in Ireland, bards were
taught ancient methods of divination, some of which involved animal sacrifice. In Ireland, Wales and Scotland, bardic colleges
used a technique for incubatiing poems called "the cell of song." A bard would be given a subject on which to compose a poem.
He would then be lain on a wattle bed in a closed, windowless cell for a day and a night, sometimes with a plaid wrapped around
his head. In this state of sensory deprivation the bard would seek inspiration. After 24 hours a light would be brought in
and the bard would write down the poem that had come to him in the darkness.
The 18th century saw a Druid Revival in England and Wales, inspired
by the writings of antiquaries such as John Aubrey (1629-1697), John Toland (1670-1722), and William Stukely (1687-1765).
Aubrey was the first modern writer to put forward the idea that Stonehenge and other megalithic monuments were built by Druids.
He was also the first person to make surveys of Stonehenge and Avebury. On the strength of this, he has been claimed as an
Archdruid by some modern Druid groups whose origins lie in the 18th century revival. Toland was an Irish revolutionary who,
as a young man, met Aubrey and was fascinated by his views on Druids and stone circles. Toland wrote a book in which he expounded
his own theories on the subject and expanded on those of the older writer. With the arrogance of youth, Toland failed to mention
Aubrey as his source. On the strength of Toland`s book, he too has been claimed as an Archdruid. The Ancient Druid Order (ADO)
claim that Toland held a gathering of Druids from all over Britain and Ireland in a London tavern in 1717. Odd then that Toland
should have written only a year later that:
"No heathen priesthood ever came up to the perfection of the Druidical
which was far more exquisite than any other such system: as having been much better calculated to beget ignorance, and an
explicit disposition in the people, no less than to procure powre and profit to the priests... To arrive at perfection in
sophistry requires a long habit, as well as in juggling, in which last they were very expert: but to be masters of both, and
withal to learn the art of managing the mob, which is vulgarly called leading the people by the nose, demands abundant study
and excercise."
These are the words of a man who clearly felt nothing but contempt
for all priesthoods, including the Druidic, a contempt he repeats over and again in his writings with a vehemence perhaps
only possible in a rebellious lapsed Catholic such as he. If, as seems obvious, we must dismiss Toland as an Archdruid, we
should also question whether the supposed Primrose Hill gathering ever took place. It can surely be no coincidence that the
first Grand Lodge of Freemasonry was founded on June 24th, 1717, the very day that Toland`s supposed Druid gathering took
place, also in London, also in a tavern.
William Stukeley was an antiquarian much in the mould of John Aubrey.
Stukeley too made field trips to Avebury and Stonehenge and made surveys and drawings of both sites. He agreed with Aubrey
on the Druidic nature of megalithic monuments. However, publi interest in Druidry had waned and Stukeley found it difficult
to find publishers for his writings. Instead, he took holy orders and became a clergyman. Once settled into his parish, his
ideas regarding Druidry became increasingly eccentric. He had the vicarage garden redesigned in his idea of a Druid grove
complete with megalithic folly, he began to expound Druidic principles from the pulpit of his church and he started to sign
letters "Chyndonax, Druid of Mount Haemus."
The late 18th century saw the Druid revival kickstarted by a group
of gentlemen who met at another London tavern to found the Ancient Order of Druids in 1781. Foremost among them was Henry
Hurle. Hurle`s group seems to have incorporated a lot of Masonic ideas, including those of mutual support and charitable good
works.
Shortly after the founding of the AOD, the Druid revival gained
new strength and vitality through the work of an extraordinary Welsh visionary, poet, scholar, and charlatan, Edward Williams
(1747-1822), better known by his Bardic name, Iolo Morganwg. His writings, some of which were published as The Iolo Manuscripts
(1848), and Barddas (1862), remain influential in the Druid movement to the present day. He claimed to have found a
complete system of Druidry in ancient manuscripts he had collected in his native Wales. Using them as a basis, Iolo held a
gathering of what he styled the Gorsedd of Bards of the Isles of Britain. In fact, he had composed the `ancient` manuscripts
himself, beginning while he was imprisoned for debt after a business enterprise failed. His forgeries were good enough to
fool the best scholars of his day and continued to be regarded as genuine until 150 years after his death, when an inquisitive
scholar looked through Iolo`s manuscripts and found draft versions of most of the supposedly medieval documents written in
Iolo`s own hand. In spite of the exposure of this massive literary fraud, the rituals Iolo concocted for his Gorsedd of the
Bards are still performed in August each year as part of the Welsh Royal National Eisteddfod, while the Gorsedd Prayer he
composed is used by several modern Druid groups. As well as his Druidic forgeries, Iolo was also a fine poet, both under his
own name and those of several medieval bards. He was also a fervent supporter of the French and American Revolutions.
The Druid groups formed by the 18th-century revivalists tended to
blend classical Druidry with Christianity, and even attempted to present pagan Druids as pre-Christian Christians. Central
to most of the revival groups of this period was the Sun as symbol of Divine Light. The membership of most groups was either
wholly or predominantly male. As we have seen, some had links with revolutionary politics, unorthodox Christianity, or Freemasonry.
The 19th century saw a remarkable flourishing of scholarship in
the field of Celtic studies, which again provided renewed impetus to the Druid movement. Notable landmarks included the publication
Godfrey Higgins', The Celtic Druids in 1829, the first English translation of The Mabinogion by Lady Charlotte
Guest in 1849, and the publication and translation of much of the poetic heritage of the Welsh Bards in W. F. Skene's, The
Four Ancient Books of Wales in 1868.
Druidry 1900 CE - Date
The Druid tradition has undergone further revision in the present
century, through the writings of Lewis Spence, Ross Nichols, and others. Nichols was the founder of the Order of Bards, Ovates
and Druids (OBOD) when he led a breakaway from the Ancient Druid Order in 1964. He was a friend of Gerald Gardner, the founder
of modern Wicca. From his research into folklore, Nichols devised the eightfold festival cycle now celebrated by most Pagans.
Gardner incorporated it into his Wiccan writings in the 1950s while Nichols introduced it into Druidry through OBOD.
The process of re-inventing the tradition continues at the present
day through writers such as the singer and folklorist R. J. Stewart, the highly prolific authors John and Caitlin Matthews,
and the present chief of OBOD Philip Carr-Gomm. There now seem to be more publications available on the subject of Druidry
than at any other time in its history. This in itself is evidence of the way in which Druidry continues to resonate in the
modern mind, appearing to echo some deep-seated need.
Modern ideas of Druidry are constantly updated in the light of archaeological
research and new techniques for exploring and understanding the past. But the Druidry of today, while it draws heavily on
the past, is very different from the Druidry of 5000, or even 500 years ago, and this is as it should be, for a static tradition
is a dying tradition, and Druidry is very much alive. Throughout its history, Druidry has changed and adapted in response
to circumstances. Each century re-creates the tradition to satisfy its own needs. The fundamental needs of our own age are
to find personal harmony and balance amid increasing technological and cultural chaos, and to preserve the ecological balance
of our hard-pressed Mother Earth. Modern Druidry seeks to address both these needs.
One of the strongest trends in Druidry today is the growth of ecological
awareness and activism. Such concerns come naturally to a philosophy that has always regarded trees, stones, springs, rivers,
lakes, hills and mountains as sacred and imbued with spirit. Part of this ecological movement has led many Druids to rediscover
sacred sites in their own neighbourhood and to find appropriate ways of working with those sites both in spirit and in active
conservation. This represents something of a return to the localised cults which flourished in pre-Christian times.
Another significant trend in contemporary Druidry is the re-emergence
of a 'shamanic' understanding and practice, working directly with spirits of place, of the land, of trees and plants, animals
and ancestors. This has been inspired by the discovery of 'shamanic' practices described in the medieval literature of Ireland
and Wales and also by study of and contact with other indigenous earth-ancestor spiritualities. Native American practice has
been particularly influential. The living example of Lakota sweat lodge ceremonies led to the re-introduction of sweat lodges
into Druidry. Britain and Ireland actually have a native sweat lodge tradition that dates back at least to the Bronze Age,
but it had been lost until its reintroduction in the 1980s.
Another encouraging trend is the growth of ecumenism, represented
by the Druid Forum, which had its first meeting at Avebury in June 1996. The broad spectrum of modern Druidry is well represented
in The Druids' Voice <http://www.druidorder.demon.co.uk/druidsvoice.htm>:
the Magazine of Contemporary Druidry (published by the BDO). For more information on modern Druid groups, their history,
beliefs and practices, see A Druid Directory
<http://www.druidorder.demon.co.uk/bdo_publications.htm>, edited by Philip Shallcrass (BDO, 1997). See also Stonehenge
and the Druids <http://www.druidorder.demon.co.uk/druids_stonehenge.htm> by Greywolf and Issues Facing Contemporary
Druidry <http://www.druidorder.demon.co.uk/druidry_issues.htm> by Bobcat.
A FEW DRUIDIC TERMS
The Awen
Central to Druid philosophy is the force known as the Awen.
Literally Awen means "flowing spirit" and it is this flowing spirit that guides us through the Druid work and, because the
force of the Awen is described thus, it can be seen as many different things. The force of divine poetic inspiration, which
is held within the three drops of potion brewed in the Cauldron of the Goddess Ceridwen, to the Christian Trinity of Father,
Son and Holy Ghost, both could be described as the Awen.
The symbol of the Awen is the "Three Rays of Light" shining
from three single points surrounded by three circles. The three points represent the directions of the sunrises of the Soistices
and Equinoxes. On the Summer and Winter Solstices the Sun rises east-north-east and east-south-east respectively, whilst on
the Spring and Autumn Equinoxes it rises due east. The Awen also symbolises the three drops of inspiration from the Cauldron
of Ceridwen. The three circles represent the three Circles of Creation in Welsh cosmology, ie Abred, Gwynvid and Ceugant.
The central blackness represents the realm of Annwn.
During a Druid ritual, the Awen can be intoned as a single
monotone note using three syllables "Ah-oo-en"(some Druid Orders intone the three letters I. A. U. in a similar way). The
power held within the Awen mantra can be used in many ways - from initiating poetic inspiration, to drawing down the blessing
of the God and Goddess or evoking a change in the atmosphere of a ritual circle. It is truly a sacred word.
Druid Ritual
Druid ritual takes many forms and has many functions. Druids
draw on various sources for ritual - including mediaeval and later Celtic literature, previous generations of Druid revivalists,
archaeology, poetry, and other traditions. But they draw mainly on their own judgement, and experience, of what is right for
a given moment.
Most rituals begin with the call for peace for, as is said
within Druid teaching, "without peace can no work be". The Druid will approach each quarter and say "May there be peace in
the (direction)." Then the Sacred Circle is cast, followed by calls to the Spirits of the four directions. Rituals are frequently
composed for a particular combination of time, place and people. They vary from the open celebration of the Bardic Gorsedd
to the intimacy of personal Rites of Passage.
They may take place anywhere - from great Stone Circles to
private rooms. Most take place outdoors, since contact with the Earth, Sea and Sky is very important to the practice of Druidry.
Group rituals commonly celebrate the eight major festivals. Rites of Passage include the naming or blessing of children, the
onset of puberty, Druid weddings (handfastings), and passing on. Rituals may also be directed towards healing or spiritual
growth.
Most of the common elements of Druid ritual are those associated
with the Bardic tradition. These include the Gorsedd Prayer, written by lolo Morganwg:
Grant, God/dess, thy protection, And in protection, strength,
And in strength, understanding, And in understanding, knowledge, And in knowledge the knowledge of justice, And in the knowledge
of justice, the love of it, And in that love, the love of all existences, And in the love of all existences, the love of God/dess
and all goodness.
Although this prayer occurs widely in Modern Druidry, there
are many who do not use it.
Another widespread element of Druid ritual is the Oath of
Peace:
We swear by peace and love to stand, Heart to heart, and
hand in hand, Mark, 0 Spirit, and hear us now, Confirming this, our Sacred Vow.
Druid ritual brings the participants into contact with the
Spiritual. Thus our lives are touched with the deep sources of inspiration, creativity, wisdom and healing.
The Three Circles of Existence
The three circles represent the journey of the Spirit/Soul.
Annwn:
All life begins in Annwn. This is the home of the Cauldron
of rebirth - the smelting pot of Spirit. Once born the Spirit is within the Circle of Abred (physical).
Abred:
Abred is the Circle of the physical - of mineral, plant,
animal and human. It is the Spirit's journey of enlightenment through the four realms which is taking place in the world around
us. There are many roads we can travel during our lives, and the realm of Abred is our learning ground on the way to oneness
with Spirit. If our lives have been lived with an awareness of all existences then the cycle continues; others may slip back
into the Cauldron to be reborn again, retaining the lessons learnt. Some may find peace within the shape of animals, or the
running Spirit of a river.
Gwynvid:
Once the physical journey is complete and that oneness with
Spirit has been attained the Journey moves into the Circle of Gwynvid. Here we find the Enlightened Ones who have gone before
- spirits who have greatly affected the spiritual direction of Abred with their teachings. Merlin, Christ, Buddha and other
great prophets contact the living within the Circle of Abred through dreams and spirit vision which teaches us on our Journey.
It is possible (nobody will truly know until they get there) that our personal Spirit Guides/Helpers teach us from the Circle
of Gwynvid. At the time of Samhain it is possible for Druids to enter Gwynvid and Annwn to seek guidance on their Journey.
Ceugant:
This is said to be the Circle of the Spirit / Goddess/God
alone - the one governing force of the universe and nature which watches over us all. It is the ultimate space of creation
from which all came and into which all will return.
Some see the Circles as a spiral which takes us on our inward
(rather that outward) Journey to the Source . It is important to state that the three Circles do not form a dogma. It is true
that they influence many on the Druid path, but it is equally true that others find them too constricting and have their own
ways of understanding the Spirit and its relationship with God/ Goddess. What has been discussed here is only the beginning
of the symbolism of the three Circles.
DRUIDIC CLOTHING
The topics of what to wear when practicing Draíocht
and the equally varied topic of what the ancient Druids wore when performing ritual and ceremony is one that is often discussed
among those who follow the ways of Druids. These are the beginnings of some thoughts that I have had on this topic from time
to time:
The Druidic Revival The Druidic Revival concept of Druids was of men with long white beards and robes, perhaps
wearing larger golden torcs or necklaces known as lunulae, and possessing a golden sickle. This approach is often ridiculed
by modern scholars and some Pagans. I'm not so sure that the clothing and adornment concepts are wrong, so much as they are
off in terms of style and application to the occasion.
The "Golden" Sickle The golden sickle was most likely a bronze one and perhaps was worked or plated with
gold. Such implements were ornamented and in common use among Bronze and Iron Age Celts. There are two very nicely ornamented
bronze sickles shown as line drawings in _A Social History of Ancient Ireland_ on page 273 of Volume 2 by P.W. Joyce. These
are called serr or searr (sharr) in Irish, but another name is carrán (which means a reaping hook). Each of these sickles
looks as if it would have been suitable for ceremonial use in gathering herbs or field work in cutting wheat and other grains.
In _Forbhais Droma Dámhgháire, Seán O'Duinn translates an episode in which the great Druid Mogh Roith had a "... gray curved
sword, .. bronze dagger, .. two hard five-forked spears..., the hide of a brown hornless bull to cover whole surface of the
chariot..." He uses this hide and "..his speckled bird-mask with its billowing wings.." to ascend clouds of smoke into the
Sky to do battle with other Druids among the clouds..
Bull Hides It would seem that bull hides were the clothing of the day when doing battle. In _A Guide
to Irish Roots_ William and Mary Durning, state, "The druid had four ritual uniforms, each identified a different function.
During religious ceremonies and advisory councils, his white robe represented purity. When acting as an observer during a
battle, a bull's hide and feathered headdress were worn. In council, at banquets or when reciting the genealogies, the uniform
was a coat of six colors. When acting as a judge, a collar of gold was added to the coat."
White Robes In _A Social History_ Joyce cites the Druids as wearing a white robe based on notes by Tirechan
regarding Rechrad, the Druid of Amalgaid, and his eight companions who were wearing white tunics when they attempted to kill
St. Patrick. He also cites Pliny; remarking about the white robes and "golden sickles" of the Druids during the mistletoe
ceremony.
Speckled and Multi-colored Garments In _Manners and Customs of the Ancient Irish_ Volume III by Eugene O'Curry,
there is a translation of a color guide for the classes from the Book of Ballymote that says: "...the order of the cloths
according to their colors... Mottled to simpletons; blue to women; Crimson to the kings of every host; Green and Black to
noble laymen; White to clerics of proper devotion." Now this book is a 14th century writing, though it contains traditional
materials that are probably 9th century or before. The clerics mentioned are surely Christian clerics and not Druids (though
I think that Druids would have worn similar clothing when they held a corresponding rank in Irish society.)
A Speckled White Robe O'Curry also describes a Druid named Tulchinne. the royal Druid of Teamhair during the
reign of Conaire as wearing a speckled white cloak with clasps of gold on his ears (Da Derga's Hostel). In the same work,
the swineherds are said to wear green frocks and black kilts. The three judges, Echdruim, Echruid, and Echruathar are described
as wearing kilts of mixed colors with silver brooches for their robes. The harpers wore light blue cloaks with gold brooches,
gold ear clasps and silver torques. Da Derga is said to have worn a white shirt and a green robe. In another place O'Curry
describes the dress of the three Fili, Sui, Rosui, and Forsui, as being "three speckled cloaks... three shirts with red interweavings
of gold... and three brooches of gold.."
Cathbad the Druid From the Tain Bo Cuailgne (Described by Fergus Mac Roth) The entire Ta/in can be found
at: http://vassun.vassar.edu/sttaylor/Cooley / <http://vassun.vassar.edu/~sttaylor/Cooley/> "There came yet another company to the mound in Slane of Meath," said
Mac Roth. "A most terrible, dreadful sight to behold them. Blue and pied and green, purple, grey and white and black mantles;
a kingly, white-gray, broad-eyed hero in the van of that company; wavy, grizzled hair upon him; a blue-purple cloak about
him; a leaf-shaped brooch with ornamentation of gold in the cloak over his breast; a shield, stoutly braced with buckles of
red copper; yellow sandals he wore; a large, strange-fashioned sword along his shoulder. Two curly-haired, white-faced youths
close by him, wearing green cloaks and purple sandals and blue tunics, and with brown shields fitted with hooks, in their
hands; white-hilted swords with silvered bronze ornaments they bore; a broad, somewhat light countenance had one of them.
One of these cunning men raises his glance to heaven and scans the clouds of the sky and bears their answer to the marvelous
troop that is with him. They all lift their eyes on high and watch the clouds and work their spells against the elements,
so that the elements fall to warring with each other, till they discharge rain-clouds of fire downwards on the camp and entrenchments
of the men of Erin."
The Ancient Irish Color System for Clothing
The Ancient Irish had a color system for clothing (detailed
later), with white being a very rare color reserved for the finest of shirts and garments. I personally think that a Druid
would have had a white undergarment or long shirt and a speckled robe, that was threaded and embroidered with gold, though
there is mention made of the Druid Mogh Roith wearing a brownish gray bullhide when he went into battle..
Clothing for Modern Druids I see no reason why a modern Druid could not wear a white robe or long shirt
with a speckled or tartan brat (robe or kilt) as a part of today's ceremonial garb. I'm also wondering if there might be a
reason why a white shirt has long been considered to be a part of formal attire. Is it because, such a shirt must be often
cleaned or new in order to not show soiling? In the past, access to such levels of cleaning must have been a mark of social
standing or proper behavior, even as it is today. Let's see what else can be found through research about colors in Celtic
clothing.
Celtic Color Facts Research on colors in Celtic dress produced some additional information. Here are some
of the quotes that were discovered. It seems that the léine or long shirt would sometimes be banded with several stripes of
different colors as was the right and status of the person who wore it. Cloaks and tunics were sometimes different colors,
with crimson and scarlet being favored colors of the upper classes. If one was related to a king, a Druid or a Fili, then
gold or silver jewelry and ornamentation also was used. Other folks used brass and copper. The outfits were completed with
the wearing of a sort of kilt that came down close to the knees. Here's the bare facts:
The Color System of Tighernmas Tighernmas introduced the colors of yellow, green and blue to Ireland in
900 BCE (according to Lebor Gabála and Keating). Slaves wore saffron (yellow) colored long shirts. Druids wore white robes
in ceremony, grey bull hides in battle and many speckled robes on state occasions such as banquets and court appearances.
The kings usually wore robes of crimson or red. The foster sons of kings wore cloaks of scarlett, purple or blue. The information
above regarding Tigernmas "The Lord of Death", who introduced the colored system of clothing came from both "Irish Mythology"
by Peter Beresford Ellis and "A Guide to Irish Roots" by William and Mary Durning.
According to Cain Law According to the Cain Law, the dath was proscribed as follows: satin and scarlet for
the sons of king; black yellowish, grey and blay clothes for the maic na ngra'd fene. The mac in airrech, mac in airrech tuis,
mac in airrech ard, mac in airrech forgill, mac in airrech rig, also had colors assigned to their cloths as well, though no
mention is made of them in the Dictionary of the Irish Language (DIL). In another reference, the following colors were prescribed
for these classifications: Free class - yellow, black, white, blay. Noble grade - red, green, brown. Royalty - Purple and
blue.
Other Sources About Colors in Gaelic Clothing
Only the Scottish high king could wear a purple stripe in his
tartan. The shields of the five provinces of Ireland (Leinster, Munster, Connacht, Ulster and Meath) contain the colors: red,
gold, white, blue, green, black and purple. Scottish tartans had a hierarchy of color numbers just as did the Irish. The Scottish
King could have seven colors in his tartan. All others could have only six colors. The extra color was purple. The Royal Stewart
tartan contains the colors: red, yellow, white, blue, green, black and purple (very similar to the colors of the shields of
the Irish provinces).
From the Tain Bo Cuailgne: (describing the cavalcade
of Bodb Derg) "There was no person among them that was not the son of a king or a queen. They all wore green cloaks; and they
wore kilts with red interweavings, and borders or fringes of gold thread upon them, and pendants of white bronze thread upon
their leggings or greaves, and shoes with clasps of red bronze in them."
From "The Story of the Irish Race" by Seamus Mac
Manus: (said of Tighernmas, Milesian King of Ireland) "Sometimes to him, sometimes to his successor, Eochaid, is credited
the ancient ordinance which distinguished the various classes and professions by the colors of their dress. A King or Queen
might wear seven colors; a poet or Ollam six; a chieftain five; an army leader four; a land-owner three; a rent-payer two;
a serf one colour only."
From the Tain Bo Cuailgne: (Said of Connor Mac
Nessa by the herald MacRoth) "A tall graceful champion of noble, polished, and proud mien, stood at the head of the party.
This most beautiful of the kings of the world stood among his troops with all the signs of obedience, superiority, and command.
He wore a mass of yellow, curling, drooping hair. He had a pleasing, ruddy countenance. He had a deep, blue, sparkling, piercing
eye in his head and a two-branching beard, yellow, and curling upon his chin. He wore a crimson, deep-bordered tunic over
his bosom; and a brilliant white shirt, interwoven with thread of red gold, next his white skin."
From the Book of Ballymote: (describing Cormac
Mac Art at the Feis of Tara) "His hair was slightly curled, and of golden color; he had a scarlet shield with engraved devices,
and golden hooks and clasps of silver; a wide-flowing purple cloak on him, with a gem-set gold brooch over his breast; a gold
torque around his neck; a white-collared shirt, embroidered with gold, upon him; a girdle with golden buckles, and studded
with precious stones around him; two golden net-work sandals with golden buckles upon his feet; two spears with golden sockets,
and many red bronze rivets, in his hand; while he stood in the full glow of beauty, without defect or blemish. You would think
it was a shower of pearls that were set in his mouth; his lips were rubies; his symmetrical body was as white as snow; his
cheek was like the mountain ash-berry; his eyes were like the sloe; his brows and eye-lashes were like the sheen of a blue-black
lance."
Here is a description of Edain from the Tale of
the Bruidean Da Dearga: "...he saw a woman on the brink of a fountain, having a comb and a casket of silver, ornamented with
gold, washing her head in a silver basin with four birds of gold perched upon it, and little sparkling gems of crimson carbuncle
upon the outer edges of the basin. A short crimson cloak, with a beautiful gloss, lying near her; a brooch of silver, inlaid
with sparkles of gold, in that cloak. A smock, long and warm, gathered and soft, of green silk, with a border of red gold,
upon her. Wonderful clasps of gold and silver at her breast, and at her shoulder-blades, and at her shoulders in that smock,
on all sides. The sun shown upon it, while the men (that is the king, and his retinue) were all shaded in red, from the reflection
of the gold against the sun, from the green silk. Two golden-yellow tresses upon her head, each of them plaited with four
locks or strands, and a ball of gold upon the point of each tress. The color of that hair was like the flowers of the bog
fir in the summer, or like the red gold immediately after receiving its coloring. And there she was disentangling her hair,
and her two arms out through the bosom of her smock."
From the Book of Rights: (details of the tuarastal
payable from the king to subordinate kings) "Seven mantles with wreaths of gold, And seven cups for social drinking, Seven
steed not accustomed to falter, To the king of Kerry of the combats. The prosperous king of Rathlenn is entitled To the stipend
of a brave great man; Ten swords, and ten drinking horns, Ten red cloaks, ten blue cloaks. The king of Ara of beauty is entitled
From the king of Eire of the comely face, To six swords, six praised shields, And six mantles of deep crimson."
In the tale of Bruidean Da Dearga, Incel reports
of Conari Mor's druith (jesters): "I saw there...three jesters at the fire. They wore three dark grey cloaks; and if all the
men of Eirinn were in one place, and though the body of the father or the mother of each man was lying dead before him, not
one could refrain from laughing at them."
A description of Maine, son of Ailill and Medb:
"There were seven greyhounds attending his chariot, in chains of silver; with balls of gold upon each chain, so that the tingling
of the balls against the chains would be music sufficient. There was no known colour that was not to be seen upon these greyhounds.
There were seven Cornaire (trumpeters), with corna (horns) of gold and silver, wearing cloths of many colours, and all having
fair-yellow hair. Three druids also went in front of them, who wore minda (diadems) of silver upon their heads and speckled
cloaks over their dresses, and who carried shields of bronze ornamented with red copper. Three Critire (harpers) accompanied
them; each of kingly aspect, and arrayed in a crimson cloak. It was so they arrived on the green of Cruachan."
In the "Colloquy of the Two Sages": Bricriu gave
a "...purple tunic, adorned with gold and silver..." to Nede an aspiring Ollamh. Then Nede went and sat in the Poet's Chair
and pulled his robe of three colors about him: a covering of bright bird's feathers were in the middle, at the bottom a speckling
of findruine (a white gold, white brass, silver combination), while the top was a brilliant golden color.
From the _Metrical Dindshenchas_ (referencing
the cloak of Fer Berna from Brius): "Ni find, ni liath, ni lachtna, ni derg,ni gorm, ni corcra, ni breccan raenach riabach,
ni hetgud srianach soccra." "It is not white, nor gray, nor dun; it is not red, nor blue, nor purple; it is no tartan, striped
nor checkered; it is no beribboned garment of ease."
The Numbers and Types of Clothing Colors
I previously mentioned that Tighernmas (900 BCE) introduced
the colors saffron (yellow), blue and green to Ireland from trading with the Phoenicians. He also was said to have established
the numbers and types of colors that could be worn by the different classes of Irish society. Many works define the actual
number of colors for each level in Irish society, though none of these lists (in my knowledge) specifically equates these
levels to particular colors. From my research, I'd like to suggest these colors for the different levels of Irish society:
Suggested Colors for Each Level of Ancient
Irish Society Ard Righ (also Kings and Queens)- Seven colors:
Purple, white, black, blue, red, green, yellow (these are also the colors of the Royal Stewart Tartan in Scotland.) Nemed
(Druids, Churchmen, Lords, Poets) - Six colors: white, black, blue, red, green, yellow. Provincial Chiefs - Five colors: black,
blue, red, green, yellow. A Bruiden or Wealthy Landowner (perhaps also the lesser Nemed?) - Four colors: blue, red, green,
yellow. A Warrior (officers as well) - Three colors: red, green, yellow. A Peasant (rent-paying farmers)- Two colors: green,
yellow. A Slave (and servants) - One color: yellow This list is based on information regarding the léine, the long shirts
of the Irish which preceded the belted plaid worn by the Scots, that I found in "Scottish Clans & Tartans" by Ian Grimble.
The léine was said to have been "striped" and persisted into the 17th century before being replaced by kilts or "belted plaids".
The class structures were mentioned in both "Celtic Myths and Legends" by T.W. Rolleston and "A Guide to Early Irish Law"
by Fergus Kelly. I also got this information regarding colors from "The Sacred Cauldron" by Tadhg MacCrossan": White for truth,
red for physical strength, green/blue for fertility.
According to Seán O'Tuathail from Cainteanna na
Luisce, these are the symbolic color meanings: blue - protection (dark blue) black - pure and powerful (here I am interpreting
based on O'Tuathail's other remarks) brown - strength gold - magically far less important than silver red - war, political
authority silver - authority white - barren-ness, empty-ness yellow - thanksgiving
Many Colors and Many Choices I think that we can see from the research into the facts of colors in Celtic
and Druidic clothing and ritual, that there are many choices. In my opinion, Druids selected and wore colors to appropriately
indicate their role in a working. White, speckled, and black are each forms of all the colors in terms of reflection, separation
and absorption, respectively. Green and brown are colors that blend into Nature. Blue, gray-green and gray are the colors
of the Sky and Sea. Red is the color of blood and sacrifice. Gold is the color of the Sun and silver is the color of the Moon.
I would choose the color of vestments to suit the spirit and nature of my actions today. I'd think that the Druids of yesteryear
would have also chosen their colors to suit the symbolism of their workings. It is important for us, as followers of the ways
of Druids in the modern world, to establish the meanings and relationships of colors and dress as we perform ritual and Druidical
actions. The choice of color in clothing is a statement of meaning, style, status and intent in any Druid's ritual or actions.
|